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Gates of Paradise (Casteel Book 4), by V.C. Andrews
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Stunned by tragedy, desperate and alone, Heaven's daughter clung to the frailest of dreams!
The car crash that killed Heaven and Logan left Annie Casteel Stonewall orphaned and crippled. Whisked off to Farthinggale Manor by the possessive Tony Tatterton, Annie pines for her lost family, but especially for Luke, her half-brother. Friend of her childhood, her fantasy prince, her loving confidante...without the warm glow of Luke's love, she is lost in the shadows of despair. When Annie discovers Troy's cottage hidden in Farthinggale's woods, the mystery of her past deepens. And even as she yearns to see Luke again, her hopes and dreams are darkened by the sinister Casteel spell...treacherous, powerful and evil!
- Sales Rank: #41753 in eBooks
- Published on: 2009-11-19
- Released on: 2009-11-24
- Format: Kindle eBook
Review
Praise for Virginia Andrews: 'Beautifully written, macabre and thoroughly nasty... it is evocative of the nasty fairy tales like Little Red Riding Hood and The Babes in the Wood, with a bit of Victorian Gothic thrown in. ... What does shine through is her ability to see the world through a child's eyes' Daily Express 'Makes horror irresistible' Glasgow Sunday Mail 'A gruesome saga... the storyline is compelling, many millions have no wish to put this down' Ms London 'There is strength in her books - the bizarre plots matched with the pathos of the entrapped' The Times
About the Author
One of the most popular authors of all time, V.C. Andrews has been a bestselling phenomenon since the publication of Flowers in the Attic, first in the renowned Dollanganger family series which includes Petals on the Wind, If There Be Thorns, Seeds of Yesterday, and Garden of Shadows. The family saga continues with Christopher’s Diary: Secrets of Foxworth, Christopher’s Diary: Echoes of Dollanganger, and Secret Brother. V.C. Andrews has written more than seventy novels, which have sold more than 106 million copies worldwide and been translated into twenty-five foreign languages.
Excerpt. © Reprinted by permission. All rights reserved.
Prologue
For as long as I could remember, the only person I could share my deepest secrets with was Luke Casteel, Jr. It was as if I were truly alive only when he was with me, and in my secret putaway heart, I knew he felt the same way, even though he had never dared say anything about it. I wanted to look at him, look into his soft dark sapphire eyes forever and ever and tell him what I really felt, but the words were forbidden. He was my half brother.
But there was one way I could look continually at him and he at me without either of us being self-conscious about it or feeling someone would discover our secret, and that was whenever I painted him. He was always a willing subject: With the easel between us and my world of art serving as a window, I could stare closely at his perfectly shaped, high-cheeked, bronze face and I could capture the way those unruly, jet-black strands of hair always fell over his forehead.
Luke had my aunt Fanny's hair, but my father's deep blue eyes and perfect nose. There was strength in the lines of his mouth and in his sharp, smooth jawline. I couldn't help seeing the clear resemblances to my father, and even to myself. He had the same tall, lean build Daddy had and kept his shoulders back the same way. The resemblances always saddened me because they reminded me that Luke wasn't simply my half brother, he was my illegitimate half brother, born out of a passionate indiscretion between Daddy and my aunt Fanny, my mother's sister, something we all understood was best kept unmentioned.
We tried to leave it behind us, stuffed away in the shadows, even though we both knew people whispered and gossiped about us in Winnerrow. Although my family was the most prominent in Winnerrow, we were a very odd family indeed. Luke, Jr. lived with his mother, who had been married twice: once to a man much older who had died, and once to a man much younger, who had divorced her.
Everyone in Winnerrow remembered the court hearing over who would win custody of Mommy's and Aunt Fanny's half brother Drake, after their father Luke and his new wife Stacie were killed in a car accident. Drake was only about five at the time. The argument was settled out of court, with Mommy getting custody and Aunt Fanny getting a lot of money. Drake hated to hear about it, and more than once got into a fight at school when some boy teased him about "being bought and paid for." Mother said Drake had her father's temper anyway. He was handsome, muscular, and very athletic, as well as very bright and determined. Now he was a student getting his M.B.A. at Harvard Business College. Even though he was really my uncle, I always thought of him as a big brother. Mommy and Daddy raised him as they would raise a son.
Most everyone in Winnerrow knew about Mommy, how she was born and raised in the Willies, how her mother had died giving birth to her, how she had lived in a shack most of her young life, and then gone off to live with her mother's rich family, the Tattertons.
She lived at Farthinggale Manor, or "Farthy," as she often called it whenever I could get her to talk about it, which wasn't very often.
But Luke and I talked about it.
Farthinggale Manor...it loomed high in our imaginations...this magical, yet sinister place, a castle filled with a thousand secrets, some of which we just knew had to do with us. It was still the home of the mysterious Tony Tatterton, the man who had married my great-grandmother and who still ran the great Tatterton Toy empire, now only loosely associated with our Willies Toy factory. For reasons Mother would not discuss, she refused to have anything to do with him, even though he never failed to send us all birthday and Christmas cards. He had sent me dolls from everywhere in the world every birthday for as long as I could remember. At least she let me keep them...precious little Chinese dolls that had long, straight black hair, and dolls from Holland and Norway and Ireland with colorful costumes and beautiful, sparkling faces.
Luke and I wanted to know more about Tony Tatterton and Farthy. Even Drake was very curious, although he didn't talk about it half as much as Luke and I did. If only our home, Hasbrouck House, was as open and revealing about the family's past as it was on holidays when Mommy and Daddy's friends and their families wandered freely through it. There were so many lingering questions. What finally had brought my parents back here from the rich, lavish world of Farthinggale Manor? Why did my mother want so much to return to Winnerrow where she had been considered lower than everyone because she was a Casteel from the Willies? Even when she had been a teacher here, she hadn't been fully accepted by the rich, snobby townspeople.
So many secrets haunted the shadows around us, hanging in the corners of our minds like old cobwebs. For as long as I could remember, I felt something was supposed to be told to me about myself, but no one had told it: not my mother, not my father, and not my uncle Drake. I sensed it in the silences that sometimes fell between my parents and between them and me, especially between my mother and me.
I wished I could come to a clear, clean canvas and lift my paintbrush and pull the truth out of the blank white sheet before me. Maybe that was why I had always been obsessed with my painting. Hardly a day passed when I didn't paint something. It was as much a part of me as...as breathing.
One: Family Secrets
Oh no!" Drake exclaimed, coming up behind me without my realizing it because I was so involved in my painting. "Not another picture of Farthinggale Manor with Luke, Jr. gaping out a window at the rolling clouds." Drake rolled his eyes and pretended to go into a faint.
Luke sat up quickly and brushed the strands of hair off his forehead. Whenever anything embarrassed or unnerved him, he always went to his hair. I turned slowly, intending to scowl at Drake the way Miss Marbleton, Luke's and my English teacher, would every time anyone misbehaved or spoke out of turn; but Drake wore his impish smile, and his coal-black eyes glimmered like two dew-covered stones. I couldn't make myself angry at a face like that. He was so handsome, but no matter how often he shaved, he had a dark cloud in his complexion. My mother was always running her hand over his cheeks affectionately and telling him to shave away the porcupine quills.
"Drake," I said softly, practically pleading with him not to say anything more that might embarrass Luke and me.
"Well, it's true, Annie, isn't it?" Drake persisted. "You must have done a half dozen pictures like this with Luke inside of Farthy or walking about the grounds. And Luke wasn't ever there!" He raised his voice to clearly remind us that he had been. I tilted my head to the side the way my mother did when something suddenly occurred to her. Was Drake jealous of my using Luke as an artistic subject? It never occurred to me to ask him to pose because he rarely sat still long enough for me to paint his likeness.
"My pictures of Farthy are never the same," I cried defensively. "How can they be? I'm working only from my own imagination and the little tidbits I've been able to pick up here and there from Daddy and Mommy."
"You would think anyone would realize that," Luke remarked, his eyes remaining fixed on his English literature textbook. Drake widened his smile.
"What, has the great Buddha spoken?" Drake's eyes danced with glee. Whenever he could get Luke to rise to one of his taunts, he was happy.
"Drake, please. I'm losing my mood," I pleaded, "and an artist has to seize the moment and hold it the way you would hold a baby bird...softly, but firmly." I didn't mean to sound so pretentious, but there was nothing I hated more than Luke and Drake getting into an argument.
My beseeching eyes and pleas worked. Drake's face softened. He turned back to me, his posture relaxed. Mother always said Drake strode through Winnerrow with a Casteel's pride. Because he was six feet two with broad shoulders, a narrow waist, and muscular arms, that wasn't hard to imagine.
"I'm sorry. I just thought I could wrench Plato here away for a while. We need a ninth man for softball over at the school," he added.
Luke looked up from his textbook, genuinely surprised at the invitation, his eyes small and inquiring. Was Drake sincere? Since he had come home for his spring break, he had spent almost all his time with his older friends.
"Well, I..." Luke looked to me. "I had to study for this unit test," Luke explained quickly, "and I thought while Annie was painting me..."
"Sure, sure, I understand, Einstein. Einstein," Drake repeated, gesturing toward Luke, his voice dripping with sarcasm. "It's not all books, you know," he said, spinning to face him again. This time his face was serious. "A lot of it has to do with getting to know people, getting them to like you, respect you. That's the secret of success. More executives are coming off the playing fields than out of the classrooms," he lectured, waving his long, right forefinger. Luke said nothing in response. He ran his fingers through his hair and fixed that stoical, yet piercing, analytical gaze on Drake, something Drake couldn't stand. "Ah...why I am wasting my breath?"
Drake turned to my painting again.
"I told you that Farthy was gray, not blue," he corrected softly.
"You were only five at the time you were there and you said yourself, you were hardly there. Maybe you forgot," Luke said, quickly coming to my defense.
"You don't forget the color of a building as big as that!" Drake exclaimed, pulling in the corners of his mouth. "No matter how young you are at the time or how short you stay."
"Well, you once told us there were two outside pools and then Logan finally corrected that, telling us there was only one outside, but one indoors," Luke continued.
When it came to Farthy, both he and I were as exacting as we could be, cherishing whatever small details and truths we knew. So little had been given to us about it.
"Is that so, Sherlock Holmes?" Drake replied, his eyes growing smaller, colder. He didn't like being corrected, especially by Luke. "Well, I never said there were two outside pools; I just said there were two pools. You just don't listen when I tell you something. It amazes me you're doing so well in school. What'd ya do, cheat?"
"Drake, please!" I exclaimed, grasping his wrist and squeezing softly.
"Well, he doesn't listen. Unless it's you who does the talking," he added, smiling, content because he had struck a sensitive spot. Luke blushed, his blue eyes swinging my way briefly before he turned away, his face turning sad.
I looked beyond him, just over the first rise in the Willies at a wisp of a cloud that the wind had molded into the shape of a tear. Suddenly I felt like crying myself and it wasn't only because of the conflict between Drake and Luke. It wasn't the first time this melancholy mood had come over me like a dark cloud passing over the sun. What I did realize was that the sad feelings often stimulated my desire to paint. Painting brought me relief, a sense of balance and peace. I was creating the world I wanted, the world I saw with inner eyes. I could make it forever spring or make winter dazzling and beautiful. I felt like a magician, conjuring something special in my mind and then bringing it to life on the empty canvas. While I was sketching in my latest image of Farthy, I felt my heart grow lighter and the world around me grow warmer and warmer, as if I were lifting a shadow off myself. Now because Drake had really interrupted the mood, my sadness returned.
I realized Drake and Luke were both staring at me, their faces troubled by my gray expression. I fought back the urge to cry, and smiled through the shadow over my face.
"Maybe each of my paintings of Farthinggale Manor are different because it changes," I finally said in a voice barely above a whisper. Luke's eyes widened and a smile rippled across his soft lips. He knew what that tone in my voice meant. We were about to play the fantasy game, to let our imaginations wander recklessly about and be unafraid to say what other seventeen- and eighteen-year-old teenagers would find silly.
But the game was more than that. When we played it, we could say things to each other that we were afraid to say otherwise. I could be his princess and he my prince. We could tell each other what we felt in our hearts, pretending it wasn't us but imaginary people who were speaking. Neither of us blushed or looked away.
Drake shook his head. He, too, knew what was coming. "Oh no," he said, "you two don't still do this." He covered his face in mock embarrassment.
I ignored him, stepped away and continued.
"Maybe Farthy is like the seasons -- gray and dismal in the winter and bright blue and warm in the summer." I was looking up as if everything I thought was suggested to me by the patch of blue sky. Then I shifted my eyes toward Luke.
"Or maybe it becomes whatever you want it to become," Luke said picking up the thread. "If I want it to be made of sugar and maple, it will be."
"Sugar and maple?" Drake smirked.
"And if I want it to be a magnificent castle with lords and ladies-in-waiting and a sad prince moping about, longing for his princess to return, it will be," I responded, lifting my voice above his.
"May I be the prince?" Luke asked quickly and stood up. "Waiting for you to come?" Our eyes seemed to touch and my heart began to pound as he stepped closer.
He took my hand, his fingers soft and warm, and stood up, his face only inches from me.
"My Princess Annie," he whispered. His hands were on my shoulders. My heart pounded. He was going to kiss me.
"Not so fast, Twinkle Toes," Drake suddenly said, leaning over and pulling up his shoulders to make himself look like a hunchback. He folded his fingers into claws and came toward me. "I'm Tony Tatterton," he whispered in a low, sinister tone, "and I've come to steal the princess from you, Sir Luke. I live in the darkest, deepest bowels of the castle Farthy and she will come with me and be forever shut up in my world to become the princess of the darkness." He pealed off an evil-sounding laugh.
Both Luke and I stared at him. The look of surprise on both our faces made Drake self-conscious. He straightened up quickly.
"What drivel," Drake said. "You've even got me doing it." He laughed.
"It's not drivel. Our fantasies and our dreams are what make us creative. That's what Miss Marbleton told us in class recently. Didn't she, Luke?" Luke only nodded. He looked upset, deeply wounded, his eyes down, his shoulders turned in the way Daddy's would be when something disturbed him. Luke had so many of Daddy's gestures.
"I'm sure she didn't mean making up stories about Farthy," Drake responded and smirked.
"But don't you always wonder what Farthy is really like, Drake?" I asked.
He shrugged.
"One of these days, I'll take off some time from college and just go there. It's not far from Boston," he added nonchalantly.
"Will you really?" The idea filled me with envy.
"Sure, why not?"
"But Mommy and Daddy hate to talk about it," I reminded him. "They would be furious if you went there."
"So...I won't tell them," Drake said. "I'll only tell you. It'll be our secret, Annie," he added, looking pointedly at Luke.
Luke and I looked at each other. Drake didn't have our intensity when it came to talking about the past and Farthy.
Occasionally I would sneak a look at the wonderful pictures of Mommy and Daddy's fabulous wedding reception held at Farthinggale: pictures of so many elegant people, men in tuxedoes and women in stylish gowns, tables and tables of food and servants rushing about everywhere, carrying trays of champagne goblets.
And there was a picture of Mommy and Tony Tatterton dancing. He looked so debonair, like a movie star; and Mommy looked so vibrant and fresh, her cornflower-blue eyes, the eyes I inherited, dazzling. When I looked at that picture, it was hard to believe that he could do anything so terrible to turn her against him. How sad and mysterious it all was. It was what often drew me back to the pictures, as if studying them would reveal the dark secret.
"I wonder if I will ever see how elegant and fabulous it really is," I said, half as a question and half as a wish. "I'm even jealous that you were there at the age of five, Drake. At least you have that memory, as distant as it is."
"Sixteen years," Luke said skeptically.
"Still, he can close his eyes and remember something, see something," I insisted. "What I see of Farthy is only what I create out of my imagination. How close have I come? If only my mother would be willing to talk about it. If only we could visit. We could ignore Tony Tatterton; we wouldn't even look at the man. I wouldn't say a word to him, if she forbade it, but at least we could wander about and..."
"Annie!"
Luke jumped to his feet as my mother stepped around the corner of the house where she had obviously been listening to our conversation. Drake nodded as though he had expected her to make such an abrupt appearance.
"Yes, Mommy?" I retreated behind my easel. She looked at Luke, who quickly shifted his eyes away, and then she approached me, avoiding any look at my canvas.
"Annie," she said softly, her eyes filled with a deep, inner sorrow, "haven't I asked you not to torment yourself and me by talking about Farthinggale?"
"I warned them," Drake said.
"Why don't you listen to your uncle, honey. He's old enough to understand."
"Yes, Mother." Even as sad as she looked, she was beautiful, her complexion rosy, her figure as firm and as youthful as it was the day she and my father were married. Everyone who saw us together had the same reaction, especially men. "You two look more like sisters than mother and daughter."
"I've told you how unpleasant it is for me to remember my days there. Believe me, it is no fairytale castle. There are no handsome young princes waiting to swoon at your feet. You and Luke shouldn't...pretend such things."
"I tried to stop them," Drake said. "They play this silly fantasy game."
"It's not so silly," I protested. "Everyone fantasizes."
"They act like grade-school children sometimes," Drake insisted. "Luke encourages her."
"What?" Luke looked at my mother, his eyes lighting with fear. I knew how important it was to him that she like him. "No he doesn't," I cried. "It's just as much my fault."
"Oh, please, let's not dwell on it," Mother pleaded. "If you must pretend, there are so many wonderful subjects, places, things to think about," she added, changing her tone of voice to a lighter, happier one. She smiled at Drake. "You look so collegiate in your Harvard sweater, Drake. I bet you're anxious to get back," she said, and then turned to Luke. "I hope you'll be as excited about college as Drake is, Luke."
"I will. I'm looking forward to going." Luke glanced at my mother and then quickly turned back to me. For as long as I could remember, there was that shyness in Luke whenever he was in my mother's company. He was normally shy anyway, but he was afraid to have her catch him staring at her, and I couldn't remember him having long conversations with her, or with Daddy for that matter, even though I knew how much he admired them.
"Well, it's wonderful how well you have done in school, Luke," she told him, hoisting her shoulders back and raising her head with what some in town called "her defiant Casteel pride." I knew most of the women in Winnerrow were jealous of her. Besides being beautiful, she was a successful businesswoman. There wasn't a man who didn't adore her and respect her for being as efficient as she was sweet. "We are all proud of you."
"Thank you, Heaven," he replied, brushing his hair back and pretending interest in his textbook while his heart was bursting with happiness.
Suddenly he looked at his watch.
"Didn't realize the time," he said. "I'd better be heading home."
"I thought you were going to eat with us tonight," I protested before he could step away.
"Of course you should eat with us tonight, Luke." My mother looked with adoration at Drake. "It's Drake's last night home before his return to college," she said. "Would Fanny mind?"
"No." A subtle, sarcastic smile appeared at the corners of Luke's mouth. "She won't be home tonight."
"Okay then," my mother said quickly. She didn't want to hear the details. All of us knew about Fanny's escapades with younger men, and I knew how much it embarrassed and bothered Luke. "It's settled. I'll have another place set."
She turned, her eyes resting for a long moment on my canvas. I looked at it and then quickly turned to her to see if there was any sign of recognition in her face. She tilted her head slightly, her eyes suddenly far off as if she had been serenaded by a distant song.
"It's not finished yet," I said quickly, afraid she might say something critical. Even though both she and Daddy had been very supportive of my painting ever since I had begun, paying for all the lessons, providing me with the best brushes and paints, I couldn't help but feel insecure. Daddy had such wonderful artisans in his factory, some of the most talented people in the country. He knew what real art was.
"Why don't you paint a picture of the Willies, Annie?" She turned and pointed toward the mountains. "I'd love to hang something like that in the dining room. The Willies in spring with its blossoming forests full of birds; or even in fall with the rainbow colors of the leaves. You do so well when you paint a scene in nature."
"Oh Mommy, my work isn't good enough to be displayed. Not yet anyway," I said, shaking my head.
"But you have it in you, Annie." Her blue eyes softened with love and reassurance. "It's in your blood," she whispered, as though she were saying something blasphemous.
"I know. Great-grandpa whittled wonderful rabbits and forest creatures."
"Yes." My mother sighed, the memories bringing a soft smile to her face. "I can still see him, sitting on the porch of the shack, whittling away for hours and hours, taking a shapeless piece of wood and turning it into a lifelike little forest creature. How wonderful it is to be artistic, Annie, to come to a blank canvas and create something beautiful on it."
"Oh, Mommy, I'm really not that good yet. Maybe I'll never be," I cautioned, "but I can't stop wanting to be."
"Of course you will be good, and you can't stop wanting to do it because...because of your artistic heritage." She paused as if she had just told me some great secret. Then she smiled and kissed me on the cheek.
"Walk in with me, Drake," she said. "I have some things I'd like to discuss before I forget and you're off to college."
Drake stepped over first and gazed at my painting.
"I was just kidding you before, Annie. It's good," he said, practically under his breath so my mother wouldn't hear. "I know how you feel, wanting to see bigger and better things than Winnerrow. Once you leave this one-horse town," he added, turning a little toward Luke, "you won't have to spend your time pretending you're somewhere else."
With that he joined my mother. She threaded her arm through his and they started toward the front of Hasbrouck House. Something Drake said made her laugh. I knew Drake occupied a special place in her heart because he reminded her so much of her father. She loved walking through Winnerrow with him, arm in arm.
Sometimes I would catch Luke staring at them together, a look of longing in his face, and I understood how much he wanted to have a real and complete family. It was part of the reason he loved coming over to Hasbrouck House, even if he only sat quietly and watched us. Here there was a father, the father he never had, but should have had, and here there was a mother he would have rather had.
I felt Luke's eyes on me and I turned around. He was staring at me, a troubled, sad look on his face, as if he could read my thoughts and knew how sad I felt for all of us sometimes, despite our wealth and position in Winnerrow. Sometimes, I found myself envying much poorer families because their lives seemed so much simpler than ours...no secret pasts, no relatives to be ashamed of, no half brothers and half uncles, not that I would trade away anyone in my family. I loved them all. I even loved Aunt Fanny. It was as if we were all victims of the same curse.
"Do you want to continue with your painting, Annie?" Luke asked, his blue eyes bright, hopeful.
"You're not tired?"
"No. Are you?" he asked.
"I never get tired of painting and I never get tired of painting you," I added.
Copyright © 1989 by Virginia C. Andrews Trust
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By CVANCE4
good book
7 of 7 people found the following review helpful.
Good but not great
By A Customer
I really hated that Heaven would not continue the narration spot as in the other three books. Although I know that is the formula V.C. uses I still don't like it much. You become so attached to the Heaven in the first three books that changing point of view to the daughter's side is kinda weird. I have to admit that in the Cutler series when the same thing happened in the fourth book I enjoyed much more. I think the only reason I didn't enjoy this one as much was because there wasn't much action. And all the mysteries in the book you already new the answers from the previous books. It was fun though to see your old favorite characeters progress. Like Aunt Fanny wasn't so immature anymore and Tony Tatterton really was a sick demented guy. I have to admit I always felt a little sorry for Tony in the past few books but not in this one. Definitely read it if you are intrested in the Casteel family saga but the first three Heaven books are much better.
10 of 11 people found the following review helpful.
Wtf????
By MonkeyMama
Why is this book $21.00???!!!
I wouldn't pay that for a hard cover leather bound edition! The story itself is good. Not great, but good and very predictable.
See all 74 customer reviews...
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